How to write a eulogy

Last updated 25 March 2026

Being asked to give a eulogy is one of the most meaningful things someone can ask of you — and one of the most daunting. Most people have never written one before and have no idea where to start, particularly when they’re in the middle of grief and have a dozen other things to organise.

This guide walks through everything: what a eulogy is, how long it should be, what to put in it, how to structure it, and how to stand up and deliver it when the day comes. You don’t need to be a writer. You don’t need to be confident in front of crowds. You need to care about the person who died — and that, more than anything, is what makes a good eulogy.


What is a eulogy?

A eulogy is a speech given at a funeral or memorial service that celebrates and remembers the person who died. It’s usually delivered by someone who knew them well — a family member, close friend, or colleague — though a celebrant or minister can deliver one on behalf of the family if no one feels able to speak.

There are no rules about what a eulogy must include or how it must sound. It can be sentimental, funny, biographical, or all three. The point is simply to honour the person: to say something true and meaningful about who they were, and to help everyone in the room feel they’ve said goodbye.


How long should a eulogy be?

A eulogy typically takes three to five minutes to deliver. In written words, that’s roughly 400 to 600 words — shorter than you might expect.

Longer eulogies (up to eight or ten minutes) are common when the person was well known or when several tributes are being combined. But for most funerals, three to five minutes is right. Grief is exhausting, and a tight, well-crafted speech will land harder than a rambling one.

A useful rule: write more than you need, then cut. A 600-word eulogy that you’ve edited down from 900 words will be better than 900 words you wrote in one sitting.


How to structure a eulogy

A simple three-part structure works for almost every eulogy: an opening that draws people in, a middle that paints a picture of the person, and a close that brings the room together.

Section What to cover Approximate length
Opening Who you are, how you knew them, and something that captures their essence 45–75 seconds (60–100 words)
Middle Two or three stories, memories, or qualities that defined them 2–3 minutes (250–400 words)
Close What they meant to the people in the room, and how to say goodbye 30–60 seconds (60–100 words)

The opening

The first thing you say sets the tone for everything that follows. You don’t need to introduce yourself formally unless you’re a less familiar figure at the funeral. Instead, start with something true and specific — a line that immediately conjures the person.

Some approaches that work:

  • A defining characteristic: “My dad’s laugh was so loud you could hear it from the end of the garden. We always knew where he was at a party.”
  • A memory that captures them: “The first thing Mum did when you visited was put the kettle on, before you’d even taken your coat off. That was her — always making sure you felt welcome.”
  • Something they used to say: “Nan had a phrase she used whenever things went wrong: ‘worse things happen at sea.’ None of us quite believed her, but somehow it always helped.”

Avoid starting with “I’m not very good at public speaking” or any other self-deprecation. The room knows this is hard — you don’t need to tell them. Start with the person, not yourself.

The middle

This is where you tell the stories. Two or three well-chosen anecdotes will do more than a list of biographical facts. Think about what made the person recognisably themselves — their humour, their habits, their way of being in the world.

Some questions to prompt your thinking:

  • What’s something they always did that drove everyone mad, but everyone will miss?
  • What’s the story people tell about them at the pub?
  • What did they teach you, directly or by example?
  • Who did they show up for, and how?
  • What would they say about being here today?

You don’t need to be comprehensive. A eulogy isn’t a biography. You’re choosing the moments that, taken together, give a true picture of who they were.

If the person had a good sense of humour, include it. Laughter at a funeral isn’t disrespectful — it’s usually exactly what the room needs, and it’s often the moments of warmth and recognition that people remember longest. The key is that any humour should be affectionate: the kind of thing the person themselves would have found funny.

The close

The close brings the speech to a landing and gives people something to carry away. A few ways to do this:

  • Speak directly to the room: “For those of us lucky enough to know her, she made everything feel a bit more manageable. I don’t think any of us will quite get used to that being gone.”
  • Speak to the person: “Wherever you are, Dad — I hope there’s a football match on and a cup of tea in your hand.”
  • A final thought: “He’d hate us making a fuss. So in his memory, try not to make too much of one.”

Avoid ending abruptly. A brief pause before your final line gives the room a moment to settle.


Religious and non-religious funerals

The setting will affect the tone of your eulogy, though perhaps less than you’d expect.

At a Church of England or Catholic funeral, the eulogy fits alongside readings and prayers. A celebratory or gently humorous eulogy is perfectly appropriate — many traditional funerals include plenty of warmth. Just be mindful of the space and the overall tone the family has set.

At a humanist or non-religious ceremony, the eulogy often takes centre stage — the celebrant may draw from what you write, or you may deliver it yourself as the main tribute. These ceremonies typically allow more latitude: longer speeches, more personal stories, more room for laughter.

At Muslim funerals, a eulogy in the Western sense is not typically part of the service, which is usually shorter and more prayer-led. If you’re unsure what’s expected at a specific ceremony, it’s worth asking the family or the funeral director in advance.


Gathering material

Before you write a word, gather material. Talk to other people who knew them — family members, old friends, colleagues. You’ll hear stories you didn’t know, and small details that bring the person to life in ways no single perspective can.

Ask:

  • What’s your favourite memory of them?
  • What’s something they did that everyone will remember?
  • What made them laugh?
  • What were they most proud of?

Keep notes — even a voice memo on your phone while you’re talking to someone. You won’t remember everything you hear, and the best material often surfaces in conversation, not in front of a blank page.


What to do if you break down

Almost everyone who gives a eulogy gets emotional at some point. The room will expect it, understand it, and forgive it immediately.

A few practical things that help:

Pause and breathe. A pause that feels endless to you will feel appropriate to everyone else. Take a breath, find your place on the page, and carry on. No one is timing you.

Look at a fixed point. If you feel yourself losing control, look slightly above the heads of the people in the front row — or focus on the ceiling at the back of the room. Making eye contact when you’re emotional can make it harder to hold it together.

Have water nearby. A sip of water gives you a natural pause and a moment to reset.

Arrange a backup. Before the service, identify someone — a family member, a close friend — who can step in or take over if you need them to. Just knowing that option exists can make it easier to stay composed. You may not need it, but it helps to have it.

It’s okay to stop. If you need a moment, take it. Say “sorry, give me a second” if you need to. No one will be anything other than moved.


Delivering the eulogy

Even a beautiful eulogy can lose its power if it’s delivered too fast, too quietly, or while staring at a piece of paper.

Practise out loud. This is the single most useful thing you can do. Reading in your head feels nothing like speaking aloud in a room full of people. Practise until you know roughly when the difficult moments will come — the lines you’ll find hardest to say — so they don’t catch you off guard.

Print it large. Use at least 14pt font, double-spaced, in a clear typeface. If you wear reading glasses, bring them. Number the pages.

Speak slowly. You will almost certainly speak faster than usual when nervous. Deliberately slow down. Pause between paragraphs. Let the room absorb what you’ve said.

Look up. You don’t need to memorise it — but make an effort to look up from your notes, particularly at the start and end of each section. Even brief eye contact makes the speech feel personal.

Tell the funeral director. Let the funeral director or celebrant know you’re speaking, and roughly how long you expect to take. They’ll guide you to the right moment and can help if anything goes wrong.


What to avoid

  • Reading a list of facts. “She was born in 1943, married in 1967, had three children…” is a biography, not a eulogy. Stories and specifics beat dates and titles every time.
  • Making it too long. Grief is exhausting. A tight five minutes will be remembered. Twenty minutes will be endured.
  • Trying to cover everything. You will leave things out. That’s fine. Two or three vivid stories say more about a person than ten vague generalities.
  • Saying only safe things. The best eulogies capture the person as they were — complex, funny, flawed, beloved. Sanitised portraits feel hollow.
  • Reading from a phone. A printed copy is far more reliable. Screens dim, scroll too far, and run out of battery at exactly the wrong moment.

If you’re asked at short notice

Sometimes there’s no time to write at length. If you have an hour or less:

  1. Write down three words that describe the person.
  2. Think of one story for each word.
  3. Write a single sentence that says what they meant to you.

That’s your eulogy. It doesn’t need to be more than that.


Key takeaways

  • A eulogy is typically three to five minutes long — around 400 to 600 words.
  • Structure it as an opening, two or three stories, and a close.
  • Specific stories and details beat general statements.
  • Practise out loud, print it large, speak slowly, and look up when you can.
  • Emotion is expected — arrange a backup reader just in case, and have water to hand.

Giving a eulogy is one of the last things you can do for someone. You don’t need to get it perfect. You just need to mean it.


Part of our funeral planning guide. If you’re unsure what to wear to the service, see our guide to funeral dress codes. For help putting together the service booklet, see our guide to creating an order of service. For the poems and passages read alongside the eulogy, see our guide to funeral poems and readings. For the hymns, see our guide to funeral hymns. For help with the legal and practical steps after a death, see the what to do after a death hub. If you’re thinking about a lasting tribute beyond the service itself, our guides to memorial plaques and headstone prices and wording ideas cover your options.